I developed this static mixer design to streamline casting demos. Often times, a casting demo can get bogged down with portioning, mixing, and degassing, especially when you’re trying to have a group of students get hands-on time with the casting materials.
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After testing the Flat-Pack Camera Arm, I was pretty happy with the results. Happy, except for one detail: the joint at the base of the arm would creep down over time. This wasn’t a problem while taking shots of projects at the bench, given how often I’d have to reposition it. The big pain was trying to capture time lapses. The creep was just too noticeable, and it would never stay in place long enough to keep the action of a day’s work in frame.
Mold making and casting has been a huge part of my life for years. It started in the SFX industry, making molds and cleaning up parts for robotic snakes on Snakes on a Plane (really), and has become an even more significant factor with the recent soft robotics project. However, one thing has plagued me this whole time: buckets.
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I really like candle making. Despite the mess, the cost of materials, the burns, and the constant fear of spilling hot wax over everything I hold dear, it’s completely worth it. If you remember, a long time ago I made a set of candles cast from impala horns. I’ve wanted to do more projects like this, especially as I ramp up to doing an absurd huge candle project based on much larger and more elaborate horns.
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I’m a fan of elaborate Halloween costumes. I’m also an enormous fan of home built fx projects, like Missmonster’s full body werewolf costume, and about everything Volpin Props has ever made. Back in ’05 I got an itch to create a Dr. Mario costume. Of course for any successful Mario costume, you need the signature jet black Mario coiffe and pillowy mustache.
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